International Journals and Edited Volumes (refereed):

Antonis Danos, “Mediterranean Modernisms: The art of Cypriot Artist Christoforos Savva.” In Yasser Elhariry and Edwige Tamalet Talbayev, eds, Critically Mediterranean: Temporalities, Aesthetics, and Deployments of a Sea in Crisis (Palgrave Macmillan, 2018): 77-110.

Antonis Danos, “Idealist ‘grand visions’, from Nikolaos Gyzis to Konstantinos Parthenis: the unacknowledged symbolist roots of Greek modernism”, in Michelle Facos and Thor Mednick eds., Reassessing the Symbolist Roots of Modernism (Ashgate, 2015): 11-22.

Klitsa Antoniou and Antonis Danos, «'Writing Trauma:' Giving Voice to a Wound that Seems to Defy Representation, in Contemporary Cypriot Art». intervalla:platform for intellectual exchange 2, "Trauma, Abstraction, and Creativity" (2014): 34-54. http://www.fus.edu/intervalla/volume-2-trauma-abstraction-and-creativity/34

Antonis Danos, “Hybrid Landscapes and Soundscapes, and the Ideologies of Borders”, in Denise Robinson, ed., Through the Roadblocks: Realities in Raw Motion (Limassol, 2014):187-194.

Antonis Danos, “Twentieth-Century Greek Cypriot Art: An 'Other' Modernism on the Periphery.” Journal of Modern Greek Studies, Vol. 32, n. 2 (October 2014):217-252. http://dx.doi.org/10.1353/mgs.2014.0050

Antonis Danos, “The Little Black Fish: Experiencing Place, Homeland, and Identity in an Exhibition of Contemporary Cypriot art”. Kunapipi [Journal of Postcolonial Writing & Culture], vol. 33, nos 1-2 (2011):247-266. [https://ro.uow.edu.au/cgi/viewcontent.cgi?article=1502&context=kunapipi]

Antonis Danos, “Nikolaos Gyzis’s The Secret School and an Ongoing National Discourse.” Nineteenth-Century Art Worldwide, vol. 1, n. 2 (Autumn 2002): http://www.19thc-artworldwide.org/index.php/autumn02/258-nikolaos-gyziss-the-secret-school-and-an-ongoing-national-discourse.

Antonis Danos, “The culmination of aesthetic and artistic discourse in 19th-century Greece: Periklis Yannopoulos and Nikolaos Gyzis.” Journal of Modern Greek Studies, vol. 20, n. 1 (May 2002):75-112 [http://dx.doi.org/10.1353/mgs.2002.0005].

Books – Monographs & Chapters:

Antonis Danos, “The Bitter Lemons of Cyprus: Lawrence Durrell’s poetic-imperialist musings in the (colonial) Mediterranean” [in Greek]. In Nikos Daskalothanasis, ed., History and Theory of Art: In Honour of Niki Loizide (Athens: futura Publications, in collaboration with the Dept. of Fine Arts, Cyprus Univ. of Technology, 2019): 245-260.

Antonis Danos, Cypriot Artists: the second generation. Vol. 1 (Nicosia: The Marfin Laiki Bank Cultural Centre, 2009).

Tonia Loizou, Antonis Danos, Cypriot Artists: the second generation. Vol. 2. Edited by Antonis Danos (Nicosia: The Cultural Centre of the Marfin Laiki Bank, 2009).

Audio-Visual Material:

Antonis Danos, research and script, Yannis Yapanis, photography direction–cinematography, Christoforos Savva 1924–1968 [documentary] (Cyprus University of Technology and The Ministry of Education and Culture, Cyprus, 2011).

Exhibition Catalogues – Artists’ Monographs – Art Magazines (selection):

Antonis Danos, “The Mediterranean as Anti-Hegemonic Heterotopia.” In Hesperia Iliadou de Subplajo-Suppiej, ed., Maleth / Haven / Port: Heterotopias of Evocation (Arts Council Malta & Mousse Publishing, 2019): 40-47.

Antonis Danos, editor–texts, The Times of Cyprus [Limassol: ΕΚΑΤΕ, Ministry of Education and Culture, and Cyprus University of Technology, 2010].

Antonis Danos, “Rebellious bodies: their destruction, and the influence of their lives and deaths,” in The Little Land Fish [Istanbul 2010 European Capital of Culture] (Istanbul: EMAA, 2010):18-23.

Antonis Danos, “Klitsa Antoniou: Mine Face,” in TempusArti: route actuele kunst (Overwinden: Tempus Art – Drieluik vzw, 2009), n. pag.

Antonis Danos, “Klitsa Antoniou: Demining,” in Personal-Political: biennale 2 [Thessaloniki Biennale of Contemporary Art] (Thessaloniki: State Museum of Contemporary Art, 2009):40-41.

Antonis Danos, editor and text (:4-7), Elena Kouma: ‘Heliogony’ (Nicosia, 2009).

Antonis Danos, “The anxieties of the body: spirituality and eroticism in Nicholas Panayi’s painting,” in Nicholas Panayi: White Light O + Ω [11th International Cairo Biennale, 20 December 2008-20 February 2009] (Nicosia: Ministry of Education and Culture, 2008).

Antonis Danos, editor and main text, Renos Stefani: ‘Acrobats’ (Nicosia: Pantheon Publishing, 2008).

Antonis Danos, “The Panagies tis Omorfias by Lefteris Olympios: women-archetypes and the power of the gaze,” (:36-37) in Lefteris Olympios: ‘Panagies tis Omorfias’ (Athens: NEMECIS, 2007).

Antonis Danos, “Contesting spaces and identities: Klitsa Antoniou’s All This Is MINE,” I Linguaggi del Mediterraneo: La Parola Come Segno (Torino: EnPleinAir, 2007), n. pag.

Antonis Danos, “Screens: telling stories,” Artion, no. 2 (Nicosia: ΕΚΑΤΕ, 2007):10-13

Antonis Danos, “Dimitris Constantinou,” Artion, no. 2 (Nicosia: ΕΚΑΤΕ, 2007):42-45

Antonis Danos, editor and texts, Screens: telling stories (Limassol: Limassol Municipality, 2006).

Antonis Danos, “Archetype and agent of tradition, formalist element and material presence in space: the female figure in works by Adamantios Diamantis, Christoforos Savva and Dimitris Constantinou,” Artion, no. 1 (Nicosia: ΕΚΑΤΕ, 2006):20-22

Antonis Danos, “Tassos Stephanides (1917-1996),” Artion, no. 1 (Nicosia: ΕΚΑΤΕ, 2006):40-42

Antonis Danos, “Kakia Catselli Trachoniti–Foam Birth.” Open9 [9th International Exhibition of Sculptures and Installations] (Venice: Arte Communications, 2006):28, 122-23.

Antonis Danos, The Human Figure in Modern Cypriot Art – the first generations (Nicosia: Evagoras and Kathleen Lanitis Foundation & the Ministry of Education and Culture, 2006).

Antonis Danos, editor and introductory text (:8-11), Somatópia: Mapping Sites, Siting Bodies (Nicosia: Ministry of Education and Culture, 2005).

Antonis Danos, Gender Explorations (Nicosia: Mediterranean Institute of Gender Studies, 2004).

Antonis Danos, Klitsa Antoniou: ‘Mare Nostrum: Visions of a Mermaid’ (Nicosia, 2004).

Antonis Danos, editor and text (:34-39), Evgenia Vasiloude: ‘Hymn to Demeter’ (Nicosia: En Tipis, 2004).

Antonis Danos, Andros Efstathiou: ‘Four Touches’ (Nicosia: En Tipis, 2004).

Antonis Danos, text in Elena Kouma: ‘Panspermia’ (Nicosia: En Tipis, 2004):6-9

Antonis Danos, editor and main text (:8-15), The Languages of Gender (Nicosia: University of Cyprus, 2003).

Antonis Danos, “Water-colour in modern and contemporary Cypriot art: a brief overview,” in Kyriacos Lyras: Water-colours (Nicosia, 2003):12-15.

Antonis Danos, text in Zenon Jepras: ‘The Colour of Memory’ (Nicosia: En Tipis, 2003):4-5.

Antonis Danos, text in Argyris Constantinou: ‘Memories of Innocence’ (Nicosia: En Tipis, 2003):4-11.

Antonis Danos, text in Maria Koudouna: ‘Free Entrance’ (Nicosia: En Tipis, 2003):4-7.
 

DEPARTMENT OF FINE ARTS
Master of Arts in Art History and Theory (beginning with the 2015-2016 academic year)

• FAR 550 Art Theory and Criticism I
• FAR 551 Art Theory and Criticism II

DEPARTMENT OF MULTIMEDIA AND GRAPHIC ARTS
Bachelor of Arts in Multimedia and Graphic Arts

• MGA 130 History of Art I (2007-2014)
• MGA 131 History of Art II (2007-2014)
• MGA 230 Modern and Contemporary Art and Theory (2007-2016)
• MGA 330 Visual Culture (2012)

DOCTORAL DISSERTATIONS – MAIN SUPERVISOR

• Panayiotis Doukanaris: “The artistic/creative act as trauma” [working title – in progress], Cyprus University of Technology.
• Stephanie Stylianou: “Aphrodite as a symbol of collective and (uncomfortable) national identity in Cyprus” [in Greek; working title – in progress], Cyprus University of Technology.
• Klitsa Antoniou: "Contemporary Cypriot Art: Loss, Trauma, Affect and the Material that passes into Sensation". Awarded, June 2014, Cyprus University of Technology.
• Ellada Evangelou: "Greek-Cypriot Historical Plays and Contemporary Identity and Culture". Awarded, June 2014, Cyprus University of Technology.
   

DOCTORAL DISSERTATIONS – MEMBER OF SUPERVISING COMMITTEES

• Theoktisti Missirloglou: "Art Collections in Greece, from the late 19th century to the interwar period" [in Greek]. Awarded, 2017, University of Ioannina.
• Georgia Spanou: "Cultural administration and politics in Cyprus" [in Greek]. Awarded, 2017, Open University of Cyprus.
• Karolina Lambrou: "The Task of the Post-modern Artist: Ethics and Politics in Performance Art" [working title]. In progress, University of Cyprus.

MASTER'S THESES – MAIN SUPERVISOR

• Ioanna Fikardou: “Turkish Architecture between Ottomanism and Modernism, 1870-1930: in search of a national, architectural identity” [in Greek]. MA in Art History and Theory, Cyprus University of Technology, May 2018.
• Ero Farmaka: “ Paul Klee, from Italy to Tunisia: formal[ist] displacements in the Mediterranean [in Greek]. MA in Art History and Theory, May 2017, Cyprus University of Technology.
• Eleftheria Tzirki: “Modernisms in the Mediterranean: decoration as an alternative aspect of modern art” [in Greek]. MA in Art History and Theory, May 2017, Cyprus University of Technology.
• Yannis Yapanis: "Professione Reporter by Michelangelo Antonioni: the creation of a 'non-existent' story" [in Greek]. MA in Interactive Multimedia, Autumn Semester 2014, Cyprus University of Technology.
• Giorgos Lazoglou: "New Media and Theatre: from Interactive Multimedia to Virtual Theatre" [in Greek]. MA in Interactive Multimedia, Autumn Semester 2012, Cyprus University of Technology.

BACHELOR'S THESES – MAIN SUPERVISOR

• Main supervisor of twelve [12] degree theses, in the History and Theory of Art, between 2011 and 2014. BA in Multimedia and Graphic Arts, Cyprus University of Technology.

Exhibitions Design – Curation:

Through the Roadblocks [12 international artists-theorists collaborations]. Co-curated with Helene Black. Organised by the non-governmental organisation NeMe and the School of Fine and Applied Arts, Cyprus University of Technology, with the support of the Ministry of Education and Culture, Cyprus. Limassol, 24/11-17/12/2012.

‘Looking Awry’: Views of an Anniversary [Cypriot contemporary art for the 50th anniversary of the establishment of the Republic of Cyprus]. Organised by the Cyprus Chamber of Fine Arts [EKATE]; sponsored by the Ministry of Education and Culture; supported by the Cyprus University of Technology. Limassol, 17/11-17/12/2010.

The Little Land Fish [Cypriot contemporary art]. Co-curated with Zeynep Yasa Yaman. Organised by the European-Mediterranean Art Association [EMAA] and the Cyprus Chamber of Fine Arts [EKATE]. Part of the Portable Art Project of Istanbul 2010 European Capital of Culture. Istanbul, 19/06-19/07/2010.

Limassolian artists of the first generation of Modern Cypriot art. Organised by the Limassol Municipality and Patras 2006–European Capital of Culture. Patras, 15/09-13/10/06 & Limassol, 15/11-1/12/2006.

Screens: Telling Stories [contemporary Cypriot film and video art]. Organised by the Limassol Municipality and Patras 2006–European Capital of Culture. Patras, 16/09-13/10/06 & Limassol, 1-26/11/06.

Kakia Catselli Trachoniti–Foam Birth. Open9 [9th International Exhibition of Sculptures and Installations]. Venice – Lido, 30/08-1/10/06.

The Human Figure in Modern Cypriot Art – the first generations. Organised by the Evagoras and Kathleen Lanitis Foundation & the Ministry of Education and Culture. Limassol, 10/05-11/06/2006.

Somatópia: Mapping Sites, Siting Bodies [Cypriot contemporary art]. Organised by the Ministry of Education and Culture (Cyprus). London, 27/09-21/10/05.

Gender Explorations [Cypriot contemporary art]. Organised by the Mediterranean Institute of Gender Studies and the Department of Design, Intercollege. Nicosia, 5-11/03/2004.

The Languages of Gender. Organised by the University of Cyprus. Nicosia, 15/05-6/06/2003.