International Journals and Edited Volumes (refereed):

Antonis Danos, “Andreas Karayan's pioneering, queer counter-discourse in 20th-century Cypriot art”. WhatEver: A Transdisciplinary Journal of Theories and Studies, Vol. 7, n. 1 (2024):203-226. https://whatever.cirque.unipi.it/index.php/journal/article/view/216/109

Antonis Danos, “The oeuvre of Georgios Pol. Georgiou: eclecticism, native 'primitivism', and cosmopolitanism in the 'periphery' as 'other' modernism” [in Greek]. In Areti Adamopoulou, Lia Yioka, Konstantinos I. Stephanis, eds, Istoria tis Technis: Issues of History, Methodology, and Historiography (Athens: Association of Greek Art Historians / Gutenberg, 2019): 441-459.

Antonis Danos, “Mediterranean Modernisms: The art of Cypriot Artist Christoforos Savva”. In Yasser Elhariry and Edwige Tamalet Talbayev, eds, Critically Mediterranean: Temporalities, Aesthetics, and Deployments of a Sea in Crisis (Palgrave Macmillan, 2018): 77-110.

Antonis Danos, “Idealist ‘grand visions’, from Nikolaos Gyzis to Konstantinos Parthenis: the unacknowledged symbolist roots of Greek modernism”, in Michelle Facos and Thor Mednick eds., Reassessing the Symbolist Roots of Modernism (Ashgate, 2015): 11-22.

Klitsa Antoniou and Antonis Danos, “'Writing Trauma:' Giving Voice to a Wound that Seems to Defy Representation, in Contemporary Cypriot Art”. intervalla:platform for intellectual exchange 2, "Trauma, Abstraction, and Creativity" (2014): 34-54. http://www.fus.edu/intervalla/volume-2-trauma-abstraction-and-creativity/34

Antonis Danos, “Hybrid Landscapes and Soundscapes, and the Ideologies of Borders”, in Denise Robinson, ed., Through the Roadblocks: Realities in Raw Motion (Limassol, 2014):187-194.

Antonis Danos, “Twentieth-Century Greek Cypriot Art: An 'Other' Modernism on the Periphery”. Journal of Modern Greek Studies, Vol. 32, n. 2 (October 2014):217-252. http://dx.doi.org/10.1353/mgs.2014.0050

Antonis Danos, “The Little Black Fish: Experiencing Place, Homeland, and Identity in an Exhibition of Contemporary Cypriot art”. Kunapipi [Journal of Postcolonial Writing & Culture], vol. 33, nos 1-2 (2011):247-266. [https://ro.uow.edu.au/cgi/viewcontent.cgi?article=1502&context=kunapipi]

Antonis Danos, “Nikolaos Gyzis’s The Secret School and an Ongoing National Discourse”. Nineteenth-Century Art Worldwide, vol. 1, n. 2 (Autumn 2002): http://www.19thc-artworldwide.org/index.php/autumn02/258-nikolaos-gyziss-the-secret-school-and-an-ongoing-national-discourse.

Antonis Danos, “The culmination of aesthetic and artistic discourse in 19th-century Greece: Periklis Yannopoulos and Nikolaos Gyzis”. Journal of Modern Greek Studies, vol. 20, n. 1 (May 2002):75-112 [http://dx.doi.org/10.1353/mgs.2002.0005].

Books – Monographs & Chapters:

Antonis Danos, “The Bitter Lemons of Cyprus: Lawrence Durrell’s poetic-imperialist musings in the (colonial) Mediterranean” [in Greek]. In Nikos Daskalothanasis, ed., History and Theory of Art: In Honour of Niki Loizide (Athens: futura Publications, in collaboration with the Dept. of Fine Arts, Cyprus Univ. of Technology, 2019): 245-260.

Antonis Danos, Cypriot Artists: the second generation. Vol. 1 (Nicosia: The Marfin Laiki Bank Cultural Centre, 2009).

Tonia Loizou, Antonis Danos, Cypriot Artists: the second generation. Vol. 2. Edited by Antonis Danos (Nicosia: The Cultural Centre of the Marfin Laiki Bank, 2009).

Audio-Visual Material:

Antonis Danos, research and script, Yannis Yapanis, photography direction–cinematography, Christoforos Savva 1924–1968 [documentary] (Cyprus University of Technology and The Ministry of Education and Culture, Cyprus, 2011).

Exhibition Catalogues – Artists’ Monographs – Art Magazines (selection):

Antonis Danos, “The Mediterranean as Anti-Hegemonic Heterotopia”. In Hesperia Iliadou de Subplajo-Suppiej, ed., Maleth / Haven / Port: Heterotopias of Evocation (Arts Council Malta & Mousse Publishing, 2019): 40-47.

Antonis Danos, editor–texts, The Times of Cyprus [Limassol: ΕΚΑΤΕ, Ministry of Education and Culture, and Cyprus University of Technology, 2010].

Antonis Danos, “Rebellious bodies: their destruction, and the influence of their lives and deaths”, in The Little Land Fish [Istanbul 2010 European Capital of Culture] (Istanbul: EMAA, 2010):18-23.

Antonis Danos, “Klitsa Antoniou: Mine Face”, in TempusArti: route actuele kunst (Overwinden: Tempus Art – Drieluik vzw, 2009), n. pag.

Antonis Danos, “Klitsa Antoniou: Demining”, in Personal-Political: biennale 2 [Thessaloniki Biennale of Contemporary Art] (Thessaloniki: State Museum of Contemporary Art, 2009):40-41.

Antonis Danos, editor and text (:4-7), Elena Kouma: ‘Heliogony’ (Nicosia, 2009).

Antonis Danos, “The anxieties of the body: spirituality and eroticism in Nicholas Panayi’s painting”, in Nicholas Panayi: White Light O + Ω [11th International Cairo Biennale, 20 December 2008-20 February 2009] (Nicosia: Ministry of Education and Culture, 2008).

Antonis Danos, editor and main text, Renos Stefani: ‘Acrobats’ (Nicosia: Pantheon Publishing, 2008).

Antonis Danos, “The Panagies tis Omorfias by Lefteris Olympios: women-archetypes and the power of the gaze”, (:36-37) in Lefteris Olympios: ‘Panagies tis Omorfias’ (Athens: NEMECIS, 2007).

Antonis Danos, “Contesting spaces and identities: Klitsa Antoniou’s All This Is MINE”, I Linguaggi del Mediterraneo: La Parola Come Segno (Torino: EnPleinAir, 2007), n. pag.

Antonis Danos, “Screens: telling stories”, Artion, no. 2 (Nicosia: ΕΚΑΤΕ, 2007):10-13

Antonis Danos, “Dimitris Constantinou”, Artion, no. 2 (Nicosia: ΕΚΑΤΕ, 2007):42-45

Antonis Danos, editor and texts, Screens: telling stories (Limassol: Limassol Municipality, 2006).

Antonis Danos, “Archetype and agent of tradition, formalist element and material presence in space: the female figure in works by Adamantios Diamantis, Christoforos Savva and Dimitris Constantinou”, Artion, no. 1 (Nicosia: ΕΚΑΤΕ, 2006):20-22

Antonis Danos, “Tassos Stephanides (1917-1996)”, Artion, no. 1 (Nicosia: ΕΚΑΤΕ, 2006):40-42

Antonis Danos, “Kakia Catselli Trachoniti–Foam Birth”. Open9 [9th International Exhibition of Sculptures and Installations] (Venice: Arte Communications, 2006):28, 122-23.

Antonis Danos, The Human Figure in Modern Cypriot Art – the first generations (Nicosia: Evagoras and Kathleen Lanitis Foundation & the Ministry of Education and Culture, 2006).

Antonis Danos, editor and introductory text (:8-11), Somatópia: Mapping Sites, Siting Bodies (Nicosia: Ministry of Education and Culture, 2005).

Antonis Danos, Gender Explorations (Nicosia: Mediterranean Institute of Gender Studies, 2004).

Antonis Danos, Klitsa Antoniou: ‘Mare Nostrum: Visions of a Mermaid’ (Nicosia, 2004).

Antonis Danos, editor and text (:34-39), Evgenia Vasiloude: ‘Hymn to Demeter’ (Nicosia: En Tipis, 2004).

Antonis Danos, Andros Efstathiou: ‘Four Touches’ (Nicosia: En Tipis, 2004).

Antonis Danos, text in Elena Kouma: ‘Panspermia’ (Nicosia: En Tipis, 2004):6-9

Antonis Danos, editor and main text (:8-15), The Languages of Gender (Nicosia: University of Cyprus, 2003).

Antonis Danos, “Water-colour in modern and contemporary Cypriot art: a brief overview,” in Kyriacos Lyras: Water-colours (Nicosia, 2003):12-15.

Antonis Danos, text in Zenon Jepras: ‘The Colour of Memory’ (Nicosia: En Tipis, 2003):4-5.

Antonis Danos, text in Argyris Constantinou: ‘Memories of Innocence’ (Nicosia: En Tipis, 2003):4-11.

Antonis Danos, text in Maria Koudouna: ‘Free Entrance’ (Nicosia: En Tipis, 2003):4-7.
 

FAR 140 _ Art History Methodologies and Research Methods

FAR 141 _ Fundamental Concepts in the History of Visual Arts and Cultures

FAR 240 _ Issues in Contemporary Art I: Modernism

FAR 550 _ Theory and Critical Analysis I (Postgraduate Programme in Art History and Theory)

FAR 551 _ Theory and Critical Analysis II (Postgraduate Programme in Art History and Theory)

POST-DOCTORAL RESEARCH – SCIENTIFIC ADVISOR

• Christos Panayiotou: «Encountering the Other from beyond: A study of the intercultural dynamics in Ottoman Cyprus through tombstone narratives». Post-Doctoral Programme, Cyprus University of Technology, 2024-2025.

DOCTORAL DISSERTATIONS – MAIN SUPERVISOR

• Persia Panayiotou: “Temporality as an Organisational Method in early 20th-century Art Music” [working title – in progress], Cyprus University of Technology.
• Edouardos Georgiou: “Stage Design in Cyprus, 1960-2000” [working title – in progress], Cyprus University of Technology.
• Klitsa Antoniou: “Contemporary Cypriot Art: Loss, Trauma, Affect and the Material that passes into Sensation”. Awarded, June 2014, Cyprus University of Technology.
• Ellada Evangelou: “Greek-Cypriot Historical Plays and Contemporary Identity and Culture”. Awarded, June 2014, Cyprus University of Technology.

DOCTORAL DISSERTATIONS – MEMBER OF SUPERVISING COMMITTEES

• Karolina Lambrou: “Ethics and Politics in Performance Art: Reclaining the Function of Art in Society”. Awarded, 2020, University of Cyprus.
• Georgia Spanou: “Cultural administration and politics in Cyprus” [in Greek]. Awarded, 2017, Open University of Cyprus.
• Theoktisti Missirloglou: “Art Collections in Greece, from the late 19th century to the interwar period” [in Greek]. Awarded, 2017, University of Ioannina.

MASTER'S THESES – MAIN SUPERVISOR

POSTGRADUATE PROGRAMME IN ART HISTORY AND THEORY– DEPT. OF FINE ARTS [CYPRUS UNIVERSITY OF TECHNOLOGY]

• Antonia Nerantzi, “Feminism and/in Art: Women's creations and gaze” [in Greek]. June 2025
• Mary Argyrou, “American Artist Mary Cassatt in the Framework of Impressionism” [in Greek]. June 2025
• Kyriakos Orthodoxou, “German Romanticism and Nationalism: Wagner's Musical Nationalism in relation to Beethoven's work” [in Greek]. June 2025
• Antigone Sartzeti, “Art and Politics during Europe's Interwar Period, in the German-Speaking World: Expressionism, Bauhaus, New Objectivity, Critical Realism” [in Greek]. June 2025
• Maria Demetriou, “Socialist Realism: Art and Propaganda” [in Greek]. December 2024
• Stelios Americanos, “Yorgos Skotinos (1937-2022): Militancy and Modernism in 20th-c Cypriot Art” [in Greek]. June 2024
• Eleni Georgiou, “Neo-Impressionism and Anarchy” [in Greek]. June 2024
• Minas Skordis, “Memory, Masculinity and National Identity: Public Monuments in Greece, during 1912-1922” [in Greek]. June 2024
• Christos Aloneftis, “Funerary Customs in Magna Grecia: Tomba del Tuffadore” [in Greek]. June 2024
• Giannis Nikolaou, “German Expressionism and 'NewObjectivity'” [in Greek]. June 2024 
• Iryna Sigkitova, “Influence of Ukrainian Ethnic Culture on Russian Futurism”. June 2024
• Alexandra Anastasiou, “Art Under Dictatorship: the Case of Maria Karavela (1938-2012)” [in Greek]. Co-supervision: Dr. Maria Moschou. June 2024
• Chrysoulla Sorokou, “Nationalism and Art in Europe: From the French Revolution to the First World War” [in Greek]. June 2023
• Maria Klavarioti, “The Representaion of Uran Life and the Image of Women in 19th c. Paris, in the Art of Impressionism” [in Greek]. June 2023
• Christos Panayiotou, “Death and the Sea as boundaries and as openings to the Cultural Other” [in Greek]. June 2023
• Christina Andreou, “Representing Migration in the Mediterranean: Films from Contemporary Italian and Greek Cinema” [in Greek]. December 2022
• Alexandros Papantoniou, “The Greek Urban Rebetiko as a Case of Mediterranean Modernism” [in Greek]. June 2022
• Korina Konstanti, “'National' (Cypriot) Identity and 'Greekness' in the work of Solon Michaelides” [in Greek]. June 2022.
• Demetris Gregoriou, “Memory and Lethe in the Public Space and in Art: the Case of the First Cemetery of Athens” [in Greek]. June 2022.
• Stella Evangelidou, “The Mediterranean, Colonialism, and Modern Cypriot Architecture” [in Greek]. December 2021.
• Georgia Michaelidou, “The Mediterranean in Orhan Pamouk’s novels: The White Castle and My Name is Red” [in Greek]. December 2021.
• Katerina Gklinavou, “The Aesthetics of the Grotesque and Les Demoiselles d’Avignon” [in Greek]. December 2021.
• Charoula Neophytou, “Modernism and Literature in the Mediterranean: Constantine Cavafy, Fererico Garcia Lorca and Orhan Pamouk” [in Greek]. June 2021.
• Despoina Demetriou, “Nationalism and 'National' Identity in the (Modern) Greek State: the 'Asia Minor Catastrophe' and 'Greekness' in literary works by Elias Venezis, Stratis Myrivilis and Dido Soteriou” [in Greek]. June 2021.
• Paraskevas Mavroudes: “The cinema of Theodoros Angelopoulos: anti-hegemonic modernity and modernism in the Mediterranean” [in Greek]. December 2020.
• Melanie Varnavidou: “Anti-canonical modernity in the Mediterranean: the Greek modernism of Karolos Koun and Rallou Manou” [in Greek]. December 2020.
• Margarita Kounnafi: “Art criticism in Cyprus, 1878-1974” [in Greek]. December 2020.
• Marina Kyriakou: “The iconography of the Revolution and the formation of Modern Greek Identity” [in Greek]. December 2020.
• Panayiota Gregoriou: “Woman as ‘East’ and as (Primitive) ‘Other’: The Female Form in the Art of Orientalism and Primitivism” [in Greek]. June 2020.
• Georgia Constantinidou: “The Myth of the ‘Femme Fatale’ at Fin-de-Siècle: The Case of Salome” [in Greek]. June 2020.
• Maria Athanasiou: “The Mediterranean and Literature: Modernism, Cosmopolitanism, and Hybridity” [in Greek]. June 2020.
• Yiannakou Aliki: “Cypriot Identity and Art in the Twentieth Century” [in Greek]. June 2020.
• Angela Panayiotou: “Napoleon’s France: Art and Propaganda” [in Greek]. June 2020.
• Christina Parmaxi: “Mediterranean Modernity: Architectural Modernism in the Mediterranean” [in Greek]. June 2020.
• Christiana Charalambous: “Union des Artistes Modernes (UAM): French Modernism in the Interwar Era” [in Greek]. June 2020.
• Demetra Christodoulidou: “Vienna and Modernism” [in Greek]. June 2020.
• Ioanna Fikardou: “Turkish Architecture between Ottomanism and Modernism, 1870-1930: in Search of a National, Architectural Identity” [in Greek]. June 2018.
• Ero Farmaka: “ Paul Klee, from Italy to Tunisia: Formal[ist] Displacements in the Mediterranean [in Greek]. June 2017.
• Eleftheria Tzirki: “Modernisms in the Mediterranean: Decoration as an Alternative Aspect of Modern Art” [in Greek]. June 2017.

POSTGRADUATE PROGRAMME IN INTERACTIVE MULTIMEDIA – DEPT. OF MULTIMEDIA AND GRAPHIC ARTS [CYPRUS UNIVERSITY OF TECHNOLOGY]

• Yannis Yapanis: “Professione Reporter by Michelangelo Antonioni: the creation of a 'non-existent' story” [in Greek]. December 2014.
• Giorgos Lazoglou: “New Media and Theatre: from Interactive Multimedia to Virtual Theatre” [in Greek]. December 2012.

BACHELOR'S THESES – MAIN SUPERVISOR

UNDERGRADUATE PROGRAMME IN MULTIMEDIA AND GRAPHIC ARTS – DEPT. OF MULTIMEDIA AND GRAPHIC ARTS [CYPRUS UNIVERSITY OF TECHNOLOGY]

• Main supervisor of twelve [12] degree theses, in the History and Theory of Art, between 2011 and 2014.

Exhibitions Design – Curation:

Through the Roadblocks [12 international artists-theorists collaborations]. Co-curated with Helene Black. Organised by the non-governmental organisation NeMe and the School of Fine and Applied Arts, Cyprus University of Technology, with the support of the Ministry of Education and Culture, Cyprus. Limassol, 24/11-17/12/2012.

‘Looking Awry’: Views of an Anniversary [Cypriot contemporary art for the 50th anniversary of the establishment of the Republic of Cyprus]. Organised by the Cyprus Chamber of Fine Arts [EKATE]; sponsored by the Ministry of Education and Culture; supported by the Cyprus University of Technology. Limassol, 17/11-17/12/2010.

The Little Land Fish [Cypriot contemporary art]. Co-curated with Zeynep Yasa Yaman. Organised by the European-Mediterranean Art Association [EMAA] and the Cyprus Chamber of Fine Arts [EKATE]. Part of the Portable Art Project of Istanbul 2010 European Capital of Culture. Istanbul, 19/06-19/07/2010.

Limassolian artists of the first generation of Modern Cypriot art. Organised by the Limassol Municipality and Patras 2006–European Capital of Culture. Patras, 15/09-13/10/06 & Limassol, 15/11-1/12/2006.

Screens: Telling Stories [contemporary Cypriot film and video art]. Organised by the Limassol Municipality and Patras 2006–European Capital of Culture. Patras, 16/09-13/10/06 & Limassol, 1-26/11/06.

Kakia Catselli Trachoniti–Foam Birth. Open9 [9th International Exhibition of Sculptures and Installations]. Venice – Lido, 30/08-1/10/06.

The Human Figure in Modern Cypriot Art – the first generations. Organised by the Evagoras and Kathleen Lanitis Foundation & the Ministry of Education and Culture. Limassol, 10/05-11/06/2006.

Somatópia: Mapping Sites, Siting Bodies [Cypriot contemporary art]. Organised by the Ministry of Education and Culture (Cyprus). London, 27/09-21/10/05.

Gender Explorations [Cypriot contemporary art]. Organised by the Mediterranean Institute of Gender Studies and the Department of Design, Intercollege. Nicosia, 5-11/03/2004.

The Languages of Gender. Organised by the University of Cyprus. Nicosia, 15/05-6/06/2003.