Post Graduate Level: MGA 505 Semiotics and Graphic design
                                      MGA 580 Supervision of Dissertation

Graduate Level: MGA 201 Applications of Typographical Design I
                             MGA202 Introduction to Semiotics and Visual Communication
                             MGA 405 Semiotics and Visual Communication
                             MGA 461 Supervision of Dissertation

Art & Design practice presentations

Zantides, E. (2017). 21st century European flag. Poster presented at 21 Posters on Explosion[s], Lemesos.

Zantides, E. (2017). Conversation with Comrade Lenin. 1917-2017 International Poster Exhibition as part of 2017 the 100th anniversary of the Revolution in Russia call of Golden Bee Global Biennale of Graphic Design 2018, Šibenik, Croatia.

Zantides, E. & Tymbiotou, I. (2016). Nothing like health. Installation presented at Ars Moriendi, Athens.

Zantides, E. (2016). Poetry night. Poster presented at The 12th Golden Bee Global Biennale, Moscow.

Zantides, E. (2015). Displacements. Poster presented at Idiosyncrasies.cy Poster Exhibition, Rialto Theatre, Lemesos.

Zantides, E. (2015). Are you the one who waits? Poster presented at Culture of Seduction [the seduction of culture], Lemesos.

Zantides, E. (2015). Stop Fighting. Poster presented at Design and Cartooning for Peace, Poster and Cartoons designed by Plantu Exhibition, Lemesos.

Zantides, E. (2014). Play a vibration in the rhythm of nature. Poster presented at The Seventh United Designs, International Biennial Design Exhibition, Shanghai.

Zantides, E. & Tymbiotou, I. (2014). There is nothing like health. Installation presented at Trauma and Therapy: Cypriot antiquity and contemporary art, Pafos.

Zantides, E. (2014). Poetry nights I & II. Posters presented at The 11th Golden Bee Global Biennale, Moscow.

Zantides, E. (2013). T792 Tear Gas, Poster presented at The Sixth United Designs, International Biennial Design Exhibition, St. Louis.
_______ with Mouzouropoulos, T. Water Leaks-Data Causes Prevention.

Zantides, E. (2012). Europa Decapitates her Seducer with a Euro Sign. Poster presented at The Posters of Discontent II, Michigan.

Zantides, E. (2012). Nostalgic Senses. Posters presented at Santorini Biennale of Arts, Santorini.

Zantides, E. (2011). Genetic Interaction is a socio-ethical Process. Poster presented at The Fifth United Designs, International Biennial Design Exhibition, Lemesos.
_______ (2011) Featured Designer.  Selected personal Graphic Design work (ibid).

Zantides, E. (2010). Immigration. Silkscreen Print with Letraset presented at The Fifth Rokycany Biennial in Graphic Arts, Rokycany.

Zantides, E. (2010). 32 Posters Combating Poverty and Social Exclusion. Poster presented at 32 Posters Combating Poverty and Social Exclusion, Lefkosia & Lemesos.

Zantides, E. (2010). After the Parade. Poster presented at Golden Bee 9 Moscow International Biennale of Graphic Design, Moscow.

Zantides, E. (2009). Human coordinates. Poster presented at The Fourth United Designs Biannual International Design Exhibition, California State University Northridge.

Zantides, E. (2009). Human coordinates. Poster presented at 30 Posters on Migration, Athens.

Zantides, E. (2009). Graphic Serialism II. Silkscreen Print presented at Nicosia–Portland Print Exhibition, Lefkosia.

Zantides, E. (2008). Walking: a visual interpretation of a busy metropolitan scene. Poster presented at 27 Graphists de Europe, Paris.

Zantides, E. (2008). Graphic Serialism. Silkscreen Print presented at Nicosia-Portland Print exhibition, Oregon, USA.

Zantides, E. (2007). Through whose eyes do you see? Poster presented at the third United Designs Exhibition, Amman.

Zantides, E. (2007). Silences. Photographs presented at Latent Reflection Exhibition, City of Lincoln.

Zantides, E. (2006). 23 Alexandria Biennale for Mediterranean Countries. Poster presented at Colorful Daegu International Poster Exhibition, Daegu.

Zantides, E., Papadima, A., Kafaridou, M. and Souglides, G. (2006). Apotiposis 2006. Poster at International Biennial of Graphic Design Golden Bee 7, Russia.

Zantides, E. (2004). Rays of Conversation-Chypre/Cyprus. Three-dimensional Lamps presented at Biennalle Internationale Design 2004, Saint-Etienne.

Zantides, E. (2004). Alternative Themed Posters. Poster presented at Golden Bee 6 Moscow International Biennale of Graphic Design, Moscow.

Zantides, E. (2004). Soldiers are finally going home... Mixed-media installation presented at Artiade 2004-Olympics of Visual Arts, Athens.

Zantides, E. (2004). Itta/Defeat. Video-Art presented at Images of the Alternative Cinema: With the Gaze of the Other, Alain Renais, Lettrist Movement and the New Algerian Cinema, Lefkosia.

Zantides, E. (2004). The Struggle. Mixed media installation presented at Gender Explorations, Lefkosia.

Zantides, E. (2004). The packaging of Gender. Mixed media presented at The Languages of Gender, Lefkosia.

Zantides, E. (2002). Graphic Fine Art Lamps-Chypre/Cyprus. Three-dimensional Lamps presented at Biennalle Internationale Design 2002, Saint-Etienne.

Zantides, E. (2001). 7 T-shirts for 7 humans. Painted t-shirts for the International T-shirt in Art 2001, Athens.

Zantides, E. (2000). Serial Memory. Animation-art presented at Art, Technology and Civilisation, Lefkosia.

Zantides, E. (2000). Traps. Mixed media installation presented at Millenium Fetich, Lefkosia.

Zantides, E. (1999). Between the flags. Flags installation presented at Parikia Istion, Samos, Xanthi, Thessaloniki, Lemesos.

Zantides, E. (1999). Autre Semeion-Other semeion. Posters presented at the Biennale of young artists from European Countries and Countries from the Mediterranean, Rome.

Conference Presentations
(Conference participations without a presentation are not listed)

Zantides, E. (2018). Differences, similarities and changes of national identity signs in print advertisements. Paper presented at second edition of the International Conference Semiosis in Communication: Differences and Similarities, Bucharest.

Zantides, E. (2017). Interrelations and multi-semiosis of national identity and cultural meanings in print advertisements of Cyprus airways: our destination is us. Paper presented at 13th World Congress of Semiotics, Kaunas.

Zantides, E. (2017). Banal nationalism in the visual discourse of print advertisements in Cyprus. Paper presented at 35th International Visual Sociology Conference, Montreal.

Zantides, E. (2017). Logo taboos: redesigning the visual identity of the Cyprus University of Technology. Paper presented at Interdisciplinary Conference Taboo-Transgression-Transcendence in Art & Science, Corfu.

Papadima, A. & Zantides, E. (2017). The typographic rendering of the local dialect in Cyprus: visualising ideology in a diversified nation. Paper presented at Typoday 2017, Colombo.

Zantides, E. (2016). The scent of Typography and the semiotics of aroma in fragrance advertising. Paper presented at XI International Conference on Semiotics, Thessaloniki.

Zantides, E. (2016). Visual metaphors in Communication: Intertextual semiosis and déjà vu in advertising. Paper presented at first edition of the International Conference Semiosis in Communication: Knowing and Learning, Bucharest.

Zantides, E. (2016). Profanity and obscenity in the vernacular literary texts of Cyprus: Vasilis Michaelides’ To Palioman (The struggle)/πάλιωμαν as a mixed media installation. Paper presented at the 10th Audiovisual Arts Festival, Corfu.

Zantides, E. (2015). Exploring the mythical qualities of letterforms through semiotics and content analysis. Paper presented at Face Forward International Typographic Conference, Dublin.

Papadima, A., Zantides, E. & Kourdis, E. (2015). The Seduction of the Dialect in Visual Communication: Greek Cypriot Dialect in Print Advertisements. Paper presented at 2nd International Conference on Semiotics and Visual Communication: the seduction of culture-culture of seduction, Lemesos.

Zantides, E. (2015). Looking inwards, designing outwards: National identity and print advertisements of Cypriot Tourism Organization. Paper presented at International Visual Sociology Association IVSA 2015 Annual Conference, Tinos.

Zantides, E. (2015). Beer advertising and National Identity: Drinking who we are. Paper presented at International Semiotic Conference, Sign-Thought-Word-Work, Semiotica 2015, Łódź.

Zantides, E. (2015). Cyprus, crossroads of civilizations and conspiracy theories where East meets the West during the European crisis. Paper presented at International Conference Conspiracy Theories in the Current European Crisis: Argumentation Strategies, Cognitive Concepts, Stereotype Formation and Pictorial Rhetoric, Potsdam.

Zantides, E. & Zapiti, A. (2014). Strike a pose: Semiotics of electoral images in Cyprus after state independence in 1960 until 2013. Paper presented at 12th World Congress of Semiotics, Sofia.

Zantides, E. (2013). Rising identities and nationalism in a cup of Cypriot coffee. Paper presented at the ‘Changing worlds & Signs of the times’ conference, Hellenic Semiotic Society and University of Thessaly, Volos.

Zantides, E. & Zapiti, A. (2012). Typography, colour and meaning in advertisements with children: a semiotic study based on content analysis. Paper presented at 11th World Congress of Semiotics, Nanjing.

Zantides, E. (2012). Dilemmas between image and text: eye-tracker and opening titles in films. Paper presented at 10th Congress of the International Association of Visual Semiotics AISV-IAVS 2012, Buenos Aires.

Zantides, E., Papadima, A. and Photiades, T. (2012). The use of eye-tracker technology to evaluate gender perception differences/biases on typeface design and characteristics. Paper presented at Variations of a typographer, Birmingham.

Zantides, E., Papadima, A. and Photiades, T. (2012). The use of eye-tracker technology to evaluate typefaces, Greek fonts and publication design for screen. Paper presented at Typography Day conference, Bombay.

Zantides, E. & Zapiti, A. (2011). Children’s Representation in Advertising: A Content Analytic Look. Paper presented at 1st International Conference on Semiotics and Visual Communication: from theory to practice, Lemesos.

Zantides, E. (2011). Iconicity and the role of Typography on the visual interpretation of verbal signs. Paper presented at Eighth International Symposium on Iconicity in Language and Literature, Växjö.

Ζαντίδης, E. & Παπαδήμα, A. (2010). Η ιδιωματική (vernacular) τυπογραφία στη Κύπρο. Άρθρο στο συνέδριο Το Καθημερινό, Ελληνική Σημειωτική Εταιρία, Λευκωσία. (transl.:Zantides, E. & Papadima, A. (2010). Vernacular typography in Cyprus. Paper presented at The Everyday Conference, Hellenic Semiotic Society, Lefkosia).

Zantides, E. & Papadima, A. (2010). Typography as a tool for stereotyping and encoding connotative significations on the literal meaning of words. Paper presented at ATypI 2010 conference, Dublin.

Zantides, E. & Papadima, A. (2010). Lending Grace to Time: Visualization of duration. Paper presented at the 4th International Conference on Typography and Visual Communication ICTVC, Lefkosia.)

Zantides, E. & Papadima, A. (2010). The importance of typography in graphic communication for public documents. Paper presented at Culture of Communication and Communication of Culture conference, Amman.

Zantides, E. (2010). A semiotic analysis on the visual identity of children’s toys for investigating encodings of ideological gender assumptions in young ages. Paper presented at Rhetoric of the Visible-Strategies of the Image between Signification and Communication, IX Conference of the International Association for Visual Semiotics, Venice.

Zantides, E. (2009). The de-construction of Image, text and sound in audio/visual communication: A semiotic analysis of specific cultural examples. Paper presented at 10th World Congress of Semiotics, A Coruna.

Zantides E., & Papadima A. (2008). Culture of Love and Hate: A semiotic investigation on specific film scenes. Paper presented at Culture of Love and Hate conference, Amman.

Zantides, E. (2008) Η καλλιέργεια και ανάπτυξη των Γραφικών Τεχνών στην Κύπρο-Τάσεις, προβλήματα και προοπτικές. Άρθρο στο συνέδριο Εικαστικές Τέχνες στην Κύπρο: Σύγχρονες τάσεις, προβλήματα και προοπτικές, Λευκωσία.
transl.: Zantides, E. (2008). Cultivating and developing Graphic Design in Cyprus-Trends, problems and prospectives. Paper presented at the Fine Arts in Cyprus: Contemporary trends, problems and perspectives, Lefkosia).

Zantides, E. (2007). From Verbal to Graphic: The role of Semiotics in Visualizing Language. Paper presented at From Verbal to Graphic: The 3rd International Conference on Typography and Visual Communication, Thessaloniki.

Pouyioutas, P., Zantides, E., Poveda, M. and Papadima, A. (2006).Redesigning the User Interface of the InterLearning Software: Graphic Design Meets Computer Science. Paper presented at 10th International Conference on Information Visualisation IV06, London.

Zantides, E. (2006). Cyprus and Graphic Communication-From the Vernacular to the Design Agency. Paper presented at Symposiodesign Amman, Amman.

Pouyioutas, P. & Zantides E. (2005). E-Learning Support for Design Courses. Paper presented at International Conference on Teaching and Learning with Technology in Art, Design and Communication, London.

Zantides, E. (2005). Type, Inter-type and meaning. Paper presented at Typographic Beirut 2005 International Conference, Lebanon.

Zantides, E. (2004). The use of type in Fine Art: How interpretation of the text defines perceptual stance. Paper presented at Communication & New Technologies, the 2nd International Conference on Typography and Visual Communication, Thessaloniki.

Zantides, E. (2003). When does the Reader become the Writer? Paper presented at Between text & reader The 2003 ATypI Conference, Vancouver.

Zantides, E. (2002). Intertextuality and its influence on optico-acoustical languages: why is this happening? Paper presented at The Shape of Language, Rome.

Zantides, E. (2002). Serial thought on everyday graphic symbols. The construction of an Intertextual Visual Orchestra. Paper presented at the 1st International Conference on Typography and Visual Communication, Thessaloniki.

2017-Wolda Award of Excellence
Awarded for exemplary design and concept in the category Logo Redesign for the new Cyprus University of Technology Logo. Eighth Wolda–Worldwide Logo Design Award 2017. 515 logos and identities from 39 countries participated in the eighth Wolda Worldwide Logo Design Award 2017. The jury meeting took place in New York and was hosted by the agency Pentagram. Wolda is a worldwide competition for logos and corporate identity. Awards are given in three categories: Logos New, Logos Redesign and Corporate Identity. Wolda‘s aim is to honour the world‘s best work in the area of logo design and business stationery.

2017-Invited by Merit
Red October, "1917-2017" is a curated project by Curator Sergei Serov, who, at the end of 2016, asked the world's leading designers to give the "rough language of the poster" and personal assessment of what happened in Russia 100 years ago. Invited among the 70 designers who were selected without competition. Long List of 500 posters from 1917-2017 project includes all works of invitation campaign and selected works of open competition. The Posters have been exhibited in various locations and will end up in the 13 Golden Bee Biennial.

2011-Featured Designer Award
The Fifth United Designs, International Biennial Design Exhibition, Lemesos, Cyprus.

2009-Merit Award
In the category of Poster Design 2009 Graphic Design and Illustration Awards (EVGE).

2009-Invited by Merit
In 30 Posters on Migration, a curated project by Dimitris Karaiskos following 27 Graphists de Europe in Athens, Greece.

2008-Invited by Merit
Graphic designer representative of Cyprus at 27 Graphists de Europe. 27 graphics designers represented their own country at the occasion of France’s presidency in the European Union, curated by Philippe Apeloig. The 27 posters under the theme ‘walking’ were shown in Paris airports terminals.

1999-Cyprus Representative for the Graphic Design category
Graphic designer representative of Cyprus at the Biennale of young artists from European Countries and Countries from the Mediterranean in Rome.

1996-Full Scholarship Award
Full fees scholarship award for performance excellence at the Master degree, awarded by the University of Kent in the United Kingdom.

1994-First prize student award
In the category for the best poster design against racism and discrimination, U.K. (Wolverhampton Municipal Council).

Please refer to Refereed Art & Design Practice Catalogues as additional participation in Art & Design Exhibitions that are not listed here.
Below are refereed exhibitions where a catalogue was not produced.

2012
Zantides, E. (2012). Europa Decapitates her Seducer with a Euro Sign. Poster presented at The Posters of Discontent II, Michigan.

2012
Zantides, E. (2012). Nostalgic Senses. Posters presented at Santorini Biennale of Arts, Santorini.

2008
Zantides, E. (2008). Walking: a visual interpretation of a busy metropolitan scene. Poster presented at 27 Graphists de Europe, Paris.

2008
Zantides, E. (2008). Graphic Serialism. Silkscreen Print presented at Nicosia-Portland Print exhibition, Oregon, USA..

2007
Zantides, E. (2007). Silences. Photographs presented at Latent Reflection Exhibition, City of Lincoln.

2004
Zantides, E. (2004). Soldiers are finally going home... Mixed-media installation presented at Artiade 2004-Olympics of Visual Arts, Athens.

2004
Zantides, E. (2004). Itta/Defeat. Video-Art presented at Images of the Alternative Cinema: With the Gaze of the Other, Alain Renais, Lettrist Movement and the New Algerian Cinema, Lefkosia.

2001
Zantides, E. (2001). 7 T-shirts for 7 humans. Painted t-shirts for the International T-shirt in Art 2001, Athens.

2000
Zantides, E. (2000). Serial Memory. Animation-art presented at Art, Technology and Civilisation, Lefkosia.

1999
Solo exhibition, Inter-Medium at Argo Gallery, Lefkosia, Cyprus.

During the exhibition, the Ministry of Education and Culture-Cultural Services has purchased a poster work from the show titled Δεν ξεχνώ transl.: I don’t forget for the National Gallery.

Editing and contribution in Books

Zantides, E. (in process). Semiotics of National Identity in Advertising Communication: The case of Cyprus, 1960-2010. Newcastle upon Tyne: Cambridge Scholars Publishing.

Zantides, E. (Ed.) (in process). Semiotics and Visual Communication III-Cultures of Branding. Awaiting from publishers.

Frangopoulos, M. and Zantides, E. (Eds) (in process), July 2018. Forth. Punctum. International Journal of Semiotics. Edited Volume on Design as Semiosis, Hellenic Semiotic Society.

Zantides, E. (Ed.) (2017). Semiotics and Visual Communication II-Culture of Seduction and Preface of articles, pp. xiii-xv. Newcastle upon Tyne: Cambridge Scholars Publishing.

Zantides, E. (2016). The distinct sounds of the Greek-Cypriot dialect take on (typographic) character. In L. Kudrnovská (Ed), 365 stories on type, typography and graphic design (pp. 126). Paris: étapes: editions.

Zantides, E. (2015). Typography in Cyprus. In L. Kudrnovská (Ed), 365 stories on type, typography and graphic design (pp. 51). Paris: étapes: editions.

Zantides, E. (Ed.) (2014). Semiotics and Visual Communication-Concepts and Practices and Preface of articles, pp. xiii-xvi. Newcastle upon Tyne: Cambridge Scholars Publishing.

Zantides, E. (2014). Διά-Μέσου-Inter-Medium. In C. Serezis (Ed), Η Τέχνη στην Αργώ, Λευκωσία, Αθήνα 1970-2010 (pp. 113). Athens: Γκαλερί Αργώ.

Zantides, E. (2009). Evripides Zantides’s Lefkosia, Cyprus. In Z. Hanaor (Ed), Graphic Europe: An alternative guide to 31 European Cities (pp. 40–45). London: Cicada Books Limited.

Zantides, Ε. (2005): Visual Orchestra. In Marangou, A., Schiza, M., Toumazis, Y. and Inatchi, U (Eds), Cyprus Art in the 20th Century (pp. 180–181). Nicosia: unops.

Zantides, E. (2002). Trap. In P. Lapithis (Ed), Καλλιτέχνες της Κύπρου/Cyprus Artists (pp. 92–93). Nicosia: Pantheon Cultural Association

Articles in Refereed Journals

Damaskinidis, G., Kourdis, E., Zantides, E. & Sykioti, E. (2018). Eye-tracking the semiotic effects of layout on viewing print advertisements. Public Journal of Semiotics 8 (1), 46-66.

Zantides, E. (2016). Visual metaphors in communication: Intertextual semiosis and déjà vu in print advertising. Romanian Journal of Communication & Public Relations, 18 (3), 65-74.

Zantides, E. (2016). Cyprus and Conspiracy Theories after the Troika Levy in 2013. In Leone, Massimo, ed. 2016. Complotto / Conspiracy, monographic issue of Lexia, 23-24, 245-254. SCOPUS journal. Rome: Aracne (ISSN: 1720-5298-20; ISBN: 978-88-548-9931-5; DOI: 10.4399/97888548993154).

Zantides, E. (2016). Looking inwards, designing outwards: National identity and print advertisements of the Cyprus tourism organisation. Visual Studies, 31(3), 248-259.

Zantides, E., Kourdis, E & Yoka, C. (2016). Semiotic Landscapes in Commercial Communication: A Preliminary Reading of Greek-Cypriot Shop Signs. International Journal of Signs and Semiotic Systems, 5(2), 1-26.

Mavri, A., Loizides, F., & Zantides, E. (2016). Communicating content: Development and evaluation of icons for academic document triage through visualisation and perception. Behaviour & Information Technology, 35(9), 758-780.

Zantides, E. & Kourdis, E. (2014). Graphism and Intersemiotic Translation: An old idea or a new trend in advertising? IMAGE Journal of Interdisciplinary Image Science, 19, 50–68.

Zantides, E. & Papadima, A. (2013). Depicting time: Visualizing the duration of existence and facts in past, present and future. MENON Journal of Educational Research, 2b, 5–19.

Zantides, E. & Kourdis, E. (2013). Representations of children in food advertisements in Cyprus: A sociosemiotic perspective. International Journal of Marketing Semiotics, 1, 25–45.

Zantides, E. (2012). [Review of the book Visible Signs-An Introduction to Semiotics in the Visual Arts, by D. Crow]. GRAMMA/ΓΡΑΜΜΑ: Journal of Theory and Criticism on Semiotics as a Theory of Culture: Deciphering the Meaning of Cultural Texts, 291-293, 20.

Articles in Refereed Journals with PhD students

Andreou, S. and Zantides, E. (2017). Constructing official culture through stamps: the case of the Republic of Cyprus. Journal of Balkan and Near Eastern studies.20, (1–20). doi: 10.1080/19448953.2017.1375264

Andreou, S., Stylianou, S. and Zantides, E. (2017). Gendering the nation: a study on male and female representations on Cyprus postage stamps. Semiotica: Journal of the International Association for Semiotic Studies/ Revue de l Association Internationale de Sémiotique (SEMI), 2017 (215), 73 – 88. doi:10.1515/sem-2016-0030

Andreou, S. and Zantides, E. (2017). Mailing ‘Cypriotness’: the sensualisation of official culture through stamps. Manuscript under review.

Andreou, S., Zantides, E. and Ioannou, A. (2017). Official culture construction through postage stamp design and the perception of the citizens: are we what we visually represent? Manuscript under review.

Art & Design Practice in Refereed Publications
(Non-refereed art & design-practice publications are not listed)

Zantides, E. (2016). Poetry night. 12th Golden Bee, Global Biennale of Graphic Design Moscow. Moscow: Alma Mater, 40.

Zantides, E. (2014). Poetry nights I & II. 11th Golden Bee, Global Biennale of Graphic Design Moscow. Moscow: 197, 367.

Semiotics and Visual Communication Lab & Praxis03 (2014). Cyprus Theatre Organisation. In J. Glaser (Ed), The Graphic Design Exercise Book. New York: HOW Books, 62.

Zantides, E. (2010). After the Parade. Golden Bee 9-Moscow International Biennale of Graphic Design. Moscow: The Golden Bee Press, 605.

Zantides, E. (2009). Walking. Greek Graphic and Illustration Awards 2009. Athens: Graphopress, 58.

Zantides, E., Papadema, A., Kafaridou, M., Souglides, G. (2006). Apotiposis. Moscow International Biennale of Graphic Design, Golden Bee 7. Moscow: The Golden Bee Press, 179.

Zantides, E. (2004). Rays of Conversation. Biennale Internationale Design 2004 Saint-Etienne. Saint-Etienne: Azimuts et les auteurs, 259–260.

Zantides, E. (2004). Images and views of the alternative cinema. International Biennial of Graphic Design, Golden Bee 6. Moscow: The Golden Bee Press, 74.

Zantides, E. (2002): Graphic Fine Art Lamps. Biennale Internationale Design 2002 Saint-Etienne. Saint-Etienne: Azimuts et les auteurs, A2, 21–22, 481.

Zantides, E. (1999): Between the Flags. Parikia Istion-Artist’s Village. Samos: North Greece Chamber of Fine Arts, 10–11.

Zantides, E. (1999): Autre Semeion-Other semeion. Biennale of Young Artists from European Countries and Countries from the Mediterranean. Lefkosia: Ministry of Education-Cultural Services, 22–23, 44–45.

Zantides, E. (1999): Altro Segno. Visioni di Futuro, Vision d’avenir. Rome: Castelvecchi Arte, 89.
 

Conference Proceedings

Zantides, E. (in process). The scent of Typography in fragrance advertising. The fugue of the five Senses/Selected Proceedings from the 11th International Conference of the Hellenic Semiotics Society, (pp.xx–xx). Thessaloniki: The Hellenic Semiotics Society.

Zantides, E. (in process). Beer advertising and national identity: Drinking who we are. In Kopytowska, Monika and Gałkowski Artur (eds.). 2018. Forth. Current developments in Semiotics: Texts, Genres and representations. Vol. 2. (pp. xx–xx). Frankfurt am Main: Peter Lang.

Zantides, E. (2017). Profanity and obscenity in the vernacular literary texts of Cyprus: Vasilis Michaelides’ To Palioman (The struggle)/πάλιωμαν as a mixed media installation. In Dalila Honorato and Andreas Giannakopoulos (Eds), Taboo, Transgression, Transcendence in Art and Science. Proceedings of Interdisciplinary Conference, (pp.46–61). Corfu: Ιonian University, Department of Audio and Visual Arts.

Papadima, Α., Zantides, E. & Kourdis, E. (2017). The Seduction of the Dialect in Visual Communication: Greek-Cypriot Dialect in Print Advertisements. In Zantides, E. (ed.). Semiotics and Visual Communication II: Culture of Seduction. (pp. 166-181). Newcastle: Cambridge Scholars Publishing.

Zantides, E. & Zapiti, A. (2017). Strike a pose: the semiotics of electoral images in Cyprus after state independence in 1960 until 2013. In Kristian Bankov (Editor in Chief), New Semiotics Between Tradition and Innovation. Proceedings of the 12th World Congress of the International Association for Semiotic Studies (IASS/AIS), (pp.424–432). Sofia: NBU Publishing House & IASS Publications.

Zantides, E. (2016). Αναδυόμενες ταυτότητες και εθνικότητα σ’ ένα φλιτζάνι κυπριακού καφέ. In E. Deltsou & M. Papadopoulou (Eds), Changing Worlds & Signs of the Times/Selected Proceedings from the 10th International Conference of the Hellenic Semiotics Society, (pp.588–599). Volos: The Hellenic Semiotics Society.

Zantides, E. (2014). Semiotic Theories and Advertising Practices: A Lifelong Learning Programme, a Lifetime experience. Proceedings of the 3rd Global Visual Culture Symposium-Trend & Design (pp.20–23). Shanghai: Fine Arts College, Shanghai Normal University.

Zantides, E. & Zapiti, A. (2014). Typography, colour and meaning in advertisements with children: a semiotic study based on content analysis. In Y. Wank & F. Luo (Eds), Studies on Language and Culture: A Semiotic Approach. Proceedings of the 11th World Congress of the IASS/AIS, Nanjing Normal University, Vol.2 (pp.339–347). Nanjing: HOHAI University Press

Zantides, E. & Papadima, A. (2013). Typography as image for stereotyping and encoding gender ideologies in branding: A study on cypriot packaging. In Convergence and Integrated Design (Ed), 2013 Hanyang International Design Conference (pp. 37–46). Korea: College of Design, Hanyang University Erica campus.

Zantides, E. (2012). The de-construction of Image, text and sound in audio/visual communication: A semiotic analysis of specific cultural examples. In P. C. Cantero, G. E. Veloso, A. Passeri & J. M. P. Gago (Eds), Proceedings of the 10th World Congress of the International Association for Semiotic Studies IASS/AIS (pp.1435-1440). La Coruna: Universidade da Coruna, Servizo de Publicacións.

Zantides, E. (2011). A semiotic analysis on the visual identity of children’s toys for investigating encodings of ideological gender assumptions in young ages. In T. Migliore (Ed), Retorica del visibile-stragtegie dell’immagine tra significazione e comunicazione (pp. 405–414). Rome: ARACNE editrice.

Zantides, E. (2010). Η καλλιέργεια και ανάπτυξη των Γραφικών Τεχνών στην Κύπρο-Τάσεις, προβλήματα και προοπτικές (Cultivating and developing Graphic Design in Cyprus-Trends, problems and prospectives). In A. Sophocleous (Ed), Fine Arts in Cyprus: Contemporary trends, problems and perspectives (pp. 228–234). Lefkosia: ΚΥ.ΣΥ.ΤΕ-ΙΜΜΕ.

Zantides, E. & Papadima, A., (2010). Culture of Love and Hate: A semiotic investigation on specific film scenes. In S. A. Osba, M. Asfour, M. Obaidellah, & Y. A. Rababa (Eds), Culture of Love and Hate (pp. 24–40). Amman: Philadelphia University.

Pouyioutas P., Zantides E., Poveda M. & Papadema A. (2009). The University of Nicosia Student Intranet and its Interface Evaluation. In P. Isaias, B. White, & M.B. Numes (Eds), WWW/Internet 2009 (pp. 429–432). Rome: IADIS press.

Pouyioutas P., Zantides E., Poveda M. & Papadema A. (2006). Redesigning the User Interface of the InterLearning Software: Graphic Design Meets Computer Science. In E. Banissi, R. A. Burkhard, A. Ursyn, J. J. Zhang, M. Bannatyne, C. Maple, A. J. Cowell, G. Y. Tian & M. Hou (Eds), Information Visualization (pp. 811–816). London: IEEE Computer Society.

Pouyioutas, P., Zantides, E., Poveda, M., Papadema, A. (2006). The InterLearning Web-Based Educational Software and the Evaluation of its User Interface-The Design Students Perspective. In L. Feng (Ed), The 5th International Conference on Web Based Learning, ICWL 2006 (pp. 425–433). Hong Kong: Department of Computer Science, City University of Hong Kong.

Pouyioutas P. & Zantides E. (2005). E-Learning Support for Design Courses. In D. Rowsell (Ed), Designs on eLearning: the International Conference on Learning and Teaching in Art, Design and Communication, 2005 (Publication on CDRom-FP full paper). London: University of the Arts.

Zantides, E. (2002). Serial thought on everyday graphic symbols. The construction of an Intertextual Visual Orchestra. In K. Mastoridis (Ed), Proceedings 1st International Conference on Typography and Visual Communication (pp. 417–421). Thessaloniki: University of Macedonia Press.

PhD Supervision (Primary Advisor)

Sept 2013-October 2017
Sonia Andreou, Cultivating official culture through Visual Communication: stamp design in the Republic of Cyprus, perceptions of citizens and ideology, Cyprus University of Technology, Department of Multimedia and Graphic Arts. Graduated.

PhD Supervision (Member of the Advisory committee)

September 2011-November 2016
Thomas Photiadis, Virtual Well-Being: The Emotional and Behavioral Appraisal Patterns of an Immersive Experience, Cyprus University of Technology, Department of Multimedia and Graphic Arts. Graduated.

October 2015-now
Sevastos Christofidis, Σημειωτική ανάλυση οπτικοακουστικών κειμένων. Σημείωση και διασημειωτικότητα σε διαφημιστικά τηλεοπτικά σποτ εταιριών κινητής τηλεφωνίας στην Ελλάδα, Aristotle University of Thessaloniki, School of French Language and Literature, Département de Langue et de Littérature Françaises

April 2016-now
Tenia Christodoulou, Ο τοπικός πολιτισμός στη διαφήμιση: κοινωνιοσημειωτική ανάλυση ελληνικών διαφημιστικών καταχωρήσεων στον τουριστικό περιοδικό τύπο στην αγγλική και ελληνική γλώσσα, Aristotle University of Thessaloniki, School of French Language and Literature, Département de Langue et de Littérature Françaises

Reviewing related activities

For manuscripts in Journals:
Punctum. International Journal of Semiotics.
Visual Studies.
Social Semiotics.
Digital Age in Semiotics & Communications.
The Romanian Journal of Political Science.
SAGE Open Manuscript.
Signs and Media.

For manuscripts in Conference Proceedings:
Semiotics and Visual Communication 2011, 2015 & 2017, Lemesos, Cyprus.
The fugue of the five Senses 2016, Thessaloniki, Greece.

For Academic Programs:
Council of the Cyprus Agency of Quality Assurance and Accreditation in Higher Education (DI.P.A.E.-ΔΙ.Π.Α.Ε.), Council of Ministers of the Republic of Cyprus. Invited member in Visiting Teams of experts examining Programs of Studies in the field of Fine Art, Art Media and Design expertise of the Private Institutions of Higher Education in Cyprus that are due for evaluation (2017–now).

The Council of Educational Evaluation Accreditation (C.E.E.A.-Σ.Ε.Κ.Α.Π.), Ministry of Education and Culture. Chair or member in Visiting Teams of experts examining a number of Programs of Studies in the field of Graphic Design expertise of the Private Institutions of Higher Education in Cyprus that are due for evaluation (2010–2015).

For Academic Qualifications:
Cyprus Council for the Recognition of Higher Education Qualifications (KY.S.A.T.S.-KY.Σ.Α.Τ.Σ.), Ministry of Education and Culture. Member in Teams for the recognition of higher education qualifications, awarded by recognized institutions of higher education or by evaluated-accredited study programmes by the competent authorities of the country they operate or offered in (2014–now).

For Academic Rankings:
Member of Απέλλα, for the election of faculty members in Greece, Hellenic Republic, Ministry of Education and Religious Affairs (κωδικός ΑΠΕΛΛΑ: 241965).

For Art and Design work:
International Cyprus Poster Triennial (CPT), Pre-selection jury member, June 2018.

National Gallery Cyprus, Ministry of Education and Culture. Reviewing and purchase of artwork from local exhibitions and shows. Sep March 2015-now, Jury member, Lemesos, Cyprus.

UDA Annual International Design Competition 2018. Sign, Symbol. March 2018, online Jury member. United Designs Alliance (UDA).

Cyprus Theatre Organisation (ΘΟΚ), Jury member for the signage system of their new building premises, October, 2014 Lefkosia, Cyprus.

Town Planning and Housing Department, Jury member for the new logo of the planning board council, August, 2014 Lefkosia, Cyprus.

ADC*E AWARDS (Art Directors Club Europe) Best of European Design and Advertising. Advertising and Print category, Jun 2012, Jury member, Barcelona, Spain.

Experimental Film and Animation Festival. Pantheon Cultural Association, Experimental film, video graph and animation categories. Jul 2006–Aug 2009, Jury member, Lefkosia, Cyprus.

National Gallery Cyprus, Ministry of Education and Culture. Reviewing and purchase of artwork from local exhibitions and shows. Sep 2006–Aug 2009, Jury member, Lefkosia, Cyprus.

ΕΒΓΕ awards (Ελληνικά Βραβεία Γραφιστικής και Εικονογράφησης-Hellenic Awards for Graphic Design and Illustration). Graphic Design category, Jan 2006, Jury member, Athens, Greece.

Biennale of Young Artists from European and Mediterranean Countries. Ministry of Education and Culture, Cyprus. Graphic Design category, Jun 2004, Jury member, Lefkosia, Cyprus.

Involvement with European Programs and EU Funding

(2016–now) CA COST Action CA15101-Comparative Analysis of Conspiracy Theories (COMPACT), Management Committee Member, Contribution:  Intertextuality, Typography, and Graphic Design in the Service of Conspiracy Theories.
www.conspiracytheories.eu

(2014) Coordinator, ERASMUS Intensive Programme: Semiotic theories and Advertising Practices. STAP-IP, 08—20 June 2014 / Cyprus University of Technology
www.semiotics-erasmus.com

Conference, Seminar, Lecture and Workshop Organisation

(2018). Typo-Graphic Days 3, Lectures and Workshop, 22-23 September 2018, Cyprus University of Technology (Oded Ezer).

(2018). Member of the scientific committee, SVC Research Lab partner of the 2nd International Conference Semiosis in Communication: Differences and Similarities, June 14-16, 2018, Bucharest, Romania.

(2017). Chair of organizing and scientific committee, 3rd International Conference on Semiotics and Visual Communication ICSVC , a conference organized by the Cyprus Semiotics Association and the Department of Multimedia and Graphic Arts at Cyprus University of Technology.

(2017). Typo-Graphic Days 2, Lectures and Workshop, 25-26 November 2017, Cyprus University of Technology (Ioannis Fetanis).

(2016). Typo-Graphic Days 1, Lectures and Workshop, 22-23 October 2017, Cyprus University of Technology (Filip Blazek).

(2015). Chair of organizing and scientific committee, 2nd International Conference on Semiotics and Visual Communication ICSVC , a conference organized by the Department of Multimedia and Graphic Arts at Cyprus University of Technology

(2015). Member of the scientific committee of the 2nd International Conference in Creative Writing, Corfu, October 2015.

(2013). Member of the scientific committee of the 10th International Conference on Semiotics organized by the Hellenic Semiotic Society

(2013). Ideology, Culture and Civilization under crisis: Social and Semiotic aspects Lecture by Dr. Nikos Fotopoulos, Semiotics and Visual Communication Lab, Cyprus University of Technology.

(2013). Image Nuclear News and Advertising Story: A Multimodal Semiotics Approach by George Damaskinidis, Semiotics and Visual Communication Lab, Cyprus University of Technology.

(2013). When Typography meets Art by Leoni Vidali, (co-organization), School of Fine and Applied Arts and Semiotics and Visual Communication Lab, Cyprus University of Technology.

(2013). Theo-Mass Lexileictous#Post-digitalism by Theo Mass, Lecture, Semiotics and Visual Communication Lab, Cyprus University of Technology.

(2012). Inter-iconicity as inter-semiotic translation in a globalised world by Dr. Evangelos Kourdis in collaboration with Lia Yioka, Semiotics and Visual Communication Lab, Cyprus University of Technology.

(2012). Semiotic aspects in Advertising: The case of Vegetarianism by Dr. Anastasia Christodoulou & Mara Tsoumari, Semiotics and Visual Communication Lab, Cyprus University of Technology.

(2012). Semiotic Strategy for Brand Innovation by Marian St Laurent, Semiotics and Visual Communication Lab, Lecture and Workshop, Cyprus University of Technology.

(2011). Founder and Chair of organizing and scientific committee, 1st International Conference on Semiotics and Visual Communication ICSVC , a conference organized by the Department of Multimedia and Graphic Arts at Cyprus University of Technology.

(2011). Translate a Different Advertising Slogan. Semiotic Remarks to Multilanguage Campaign of Louis Vuitton by Dr. Evangelos Kourdis, Semiotics and Visual Communication Lab, Cyprus University of Technology.

(2011). Experimental Book Cover Design by Paris Koutsikos, Workshop, Semiotics and Visual Communication Lab, Cyprus University of Technology.

(2011). The Metaphor Formula in Visual Communication by Prof. Jon Ashman, Lecture and Workshop, Semiotics and Visual Communication Lab, Cyprus University of Technology.

(2010). Member of the Organizing Committee, 1st International Conference of Photography and Theory ICPT—a conference organized by the Department of Multimedia and Graphic Arts at Cyprus University of Technology.

(2010). Poster Design in Greece, by, Demetris Karaiskos, Lecture and Workshop, Semiotics and Visual Communication Lab, Cyprus University of Technology.

(2010). Art’s Contribution to the Promotion of National Ideology. Semiotic Systems in Synergy in Greek Lithographies of the Balkan Wars 1912–1913 by Dr. Evangelos Kourdis, Semiotics and Visual Communication Lab, Cyprus University of Technology.

(2007). Co-chair, 2nd Panorama of Visual Communication in Cyprus, University of Nicosia, +design and ZapTeam.

(2006). Co-chair, 1st Panorama of Visual Communication in Cyprus, University of Nicosia, +design and ZapTeam.

(2006). Apotiposis lectures series on Graphic Communication and Architecture, Design Department, Intercollege, Lefkosia.

(2005). Design Matters-II, Co-organizer of the 2nd Designers’ Association Seminars, Design Department, Intercollege, Lefkosia.

Art and Design Exhibition Organisation

(2017). Curator, poster exhibition themed explosion[s]: the global logo, as part of the 3rd International Conference on Semiotics and Visual Communication ICSVC, organized by Cyprus Semiotics Association and the Department of Multimedia and Graphic Arts at Cyprus University of Technology. Accompanied by an exhibition catalogue publication designed internally.

(2015). Curator, poster exhibition themed Seduction at 2nd International Conference on Semiotics and Visual Communication ICSVC, organized by Cyprus Semiotics Association and the Department of Multimedia and Graphic Arts at Cyprus University of Technology. Accompanied by an exhibition catalogue publication designed internally.

(2015). Curator, 18 Posters-Design for Peace. Poster exhibition organized in collaboration with Alliance Française-Design and Cartooning for Peace, Poster and Cartoons designed by Plantu, at Cyprus University of Technology. Accompanied by an exhibition catalogue publication designed internally.

(2014). Co-curator, The Discovery of Writing-From Aleph to Alpha and 11 contemporary artists encounter 9 ancient scripts that was held in Cyprus in May 2014 in collaboration with Evagoras Lanitis Centre at Carob mill, Limassol.

(2011). Director, Fifth United Designs-an International Biennial Design Exhibition that was held in Cyprus in July 2011 in collaboration with Korea Ensemble of Contemporary Design KECD at 50-1 Gallery.

(2010). Curator, 32 Posters Combating Poverty and Social Exclusion—an exhibition organized by Culture in Action and the Department of Multimedia and Graphic Arts at Cyprus University of Technology, Pafos Gate, Lefkosia. Accompanied by an exhibition catalogue publication designed internally.

 (1999). Solo exhibition, Inter-Medium at Argo Gallery, Lefkosia, Cyprus. During the exhibition, the Ministry of Education and Culture-Cultural Services have purchased a poster work from the show titled Δεν ξεχνώ transl.: I don’t forget for the National Gallery.

Interviews and discussions

Maleni, M. (2018, March 23rd). Panel member discussion for The Art of Poster at Art-Café program of Cyprus Broadcasting Cooperation.

Hekkers, M. (2017, March 31st). CUT’s upgraded visual identity-Interview with Evripides Zantides. The Cyprus Weekly, p. 30.

Karra, M. A. (2015, October 11th). Συνέντευξη στην Αγγελική Μιχαλοπούλου-Καρρά. Ευριπίδης Ζαντίδης, Το Design στη σύγχρονη κυπριακή πραγματικότητα (transl.: Design in the contemporary Cypriot context). Πολίτης-Γραφιστορίες, σ. 8/46.

Stavrinou, T. (2014, July 17th). Πρόσωπο-Συνέντευξη στην Τώνια Σταυρινού. Ευριπίδης Ζαντίδης, Βρίσκεται στους φιναλίστ της Μπιενάλε Γραφιστικής Golden Bee της Μόσχας (transl.: Evripides Zantides in the finalist of Moscow’s Graphic Design Biennial Golden Bee). Ο Φιλελεύθερος-Εφτά Μέρες Πολιτισμός, σ. 3.

Hekkers, M. (2014, July 19th). Placing local graphic design in the world map-Interview with Melissa Hekkers. The Cyprus Weekly, p.28-29.

Hekkers, M. (2013, July 1). The signs of the times-Interview with Evripides Zantides.
The Cyprus Daily, p. 6.

Stavrinou, T. (2013, May 7). Η Γραφιστική παράγει Πολιτισμό (transl.: Graphic Design
cultivates culture)-Interview with Evripides Zantides. Ο Φιλελεύθερος, p. 19.

Pieridou, O. (2011, November 23). Πρώτο Συνέδριο Σημειωτικής και Οπτικής Επικοινωνίας (transl.: First International Conference on Semiotics and Visual Communication) Interview with Evripides Zantides. Periplous-Cyprus Broadcasting Corporation Radio, 22+00.

Mparpa, E. (2011, November 20). Η σημασία της Σημειολογίας (transl.: The importance of Semiology)-Interview with Evripides Zantides. Ο Φιλελεύθερος, p. 48.

Tsiamanta, X. (2011, July). United Designs-Interview with Evripides Zantides.
Time Out Cyprus, p. 128.

Mparpa, E. (2011, May 22). Μια Μπιενάλε για το Design στην Κύπρο (transl.: A Design Biennale in Cyprus)-Interview with Evripides Zantides. Ο Φιλελεύθερος, p. 48.

Koumidi, L. (2009, July 22). 30 αφίσες για τη μετανάστευση (transl.: 30 Posters on Migration) Interview with Evripides Zantides. Radio Astra, 18+30.

Pampalli, D. (2008, October 12). Οπτική επικοινωνία και κουλτούρα (transl.: Culture and Visual Communication)-Interview with Evripides Zantides. Η Σημερινή, p. 92.

Newspaper Articles

Νέα Οπτική Ταυτότητα για το Τεχνολογικό Πανεπιστήμιο Κύπρου( transl.: A new Visual Identity for Cyprus University of Technology) Άρθρο, Ζαντίδης E. (2017, 21 Μαρτίου) παιδείαnews.

Δείξτε λίγο Τυπογραφικό έλεος! (transl.: Show some Typographic mercy!) (2016, 12 Ιουλίου). Ο Φιλελεύθερος, σσ. 15, Άρθρο, Ζαντίδης E.

500 Words. Ο Πολίτης-Το Παράθυρο, p. 2/38 Zantides, E. (2011, November 20).

Newspapers with reference to personal work

(2014, July 11). Αν. Kαθηγητής του ΤΕΠΑΚ ανάμεσα στους κορυφαίους γραφίστες του κόσμου. (transl.: CUT Associate Professor among the leading graphic designers of the world). Ο Φιλελεύθερος, p. xx, https://bit.ly/2Ldhbdy.

Savvinides, G. (2013, September 17). Απλό αλλά πολυδύναμο. (transl.: Simple but multidimensional). Ο Φιλελεύθερος, p. 24.

Polidorou, A. (1999, October 17). Δια-Μέσου των Μ.Μ.Ε. (transl.: Inter-Mass Medium).
Ο Πολίτης-Το Παράθυρο, p. 2.

Mouretou, S. (1999, July 25). Καινούργια μηνύματα μέσα από γραφικά σύμβολα (transl.: New messages using graphic symbols). Η Σημερινή-Πολιτιστικά Θέματα, p. 28.

Mouretou, S. (1999, July 19). Δεκαήμερο καλλιτεχνικής δημιουργίας στην «Παροικία Ιστίων» (transl.: Ten creative artistic days «Parikia Istion»).
Η Σημερινή-Πολιτιστικά Θέματα, p. 29.

(1999, June 19). Η νέα γενιά των δημιουργών (transl.: The new generation of creatives).
Ο Πολίτης-Το Παράθυρο, pp. 18–19.

Hughes, G. (1999, June 11–17). Cream of Cyprus showing overseas. The Cyprus Weekly, p. 7.

Lanitis, G. (1997, January 17–23). Banking Credits. The Cyprus Weekly-Lifestyle, p. 2.

Magazines

Zantides, E. (2006, November-December). Πανόραμα Οπτικής επικοινωνίας στην Κύπρο (transl.: Panorama of Visual Communication in Cyprus). +design, 49, 86–88.

Zantides, E. (2006, July-August). Μίγμα πολιτισμών και Οπτική επικοινωνία
(transl.: Multiculturalism and Visual Communication). +design, 47, 44–48.

Zantides, E. (2001, summer). Εικονομηνύματα: Η Διακειμενικότητα στην εικόνα
(transl.: Intertextuality in images). MustDECO, 5, 94–96.

Magazines with reference to personal work

Hatzidimitriou, C. (2017, July). Έκρηξη στη Λεμεσό! (transl.: Explosion at Lemesos!).
Φιλgood, 148, 19–21.

(2009, September-October). Το Graphic Design για τη μετανάστευση
(transl.: Graphic Design on migration). +design, 66, 77–82.

(2008, September-October). 27 Graphistes pour l’Europe. +design, 60, 34–37.

Tsiamanta, X. (2008, May). Περπατώντας στην Ευρώπη. (transl.: Walking in Europe).
Time-Out, 79, 136.

Panayiotou, M. (2005, May). Μάντεψε τι (transl.: Guess what). Συνθέσεις, 114, 34.

Savidou, K. (2005, March). Ακτίνες Διαλόγου (transl.: Rays of Conversation).
MustDECO, 22, 52.

Papadopoulos, M. (2003, July). Το ατελιέ μου (transl.: My art studio).
Το Περιοδικό, 897, 100–101.

Koureas, S. (2002, December). Σημειολογίας έργα (transl.: Semiotic work). Συνθέσεις, 91, 30.